One true disappointment, however, is that, despite wishing to portray a violent clash between the various factions, VKG’s battles look and feel anything but. Crucially, VKG knits together much of the political threads left hanging by the first season: after lurking in the shadows so long, the Vampire Council finally takes centre stage, as does a newly kick-arse Headmaster Cross, and Kaname’s true intentions become clear in a gasp-worthy twist. Nevertheless, buried amongst all the silly love triangle stuff, there’s still that core of well-executed mystery keeping the story afloat. Indeed, the series makes no claim to originality or wit, but it manages its cheese surprisingly well, and, on balance, turns out to be more interesting than irksome. Throw in hints of homoeroticism for extra tang and some half-baked lore, and VKG gives the impression that it’s not so much animated as churned. Consider the corniest scene involving vampires possible (OMG he licked her neck! *squeal*), then set it to repeat across several episodes. Moreover, as the second instalment in a successful dark shoujo series, it brings the story of mysterious vampires and tragic love to an agreeable conclusion.įor most, VKG’s main attraction will always be its contrivances, clichés, and ham-handed delivery of the romance. StoryBuilt upon a sturdy foundation of shoujo clichés and pretty animation, Vampire Knight Guilty is a lot of fun without being particularly elegant.
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